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The Eyes of Children

Almost as soon as I finished Volcanic Sprint last year, I imagined having a public viewing where we shot in — in Buea, Cameroon. It would need to be free and in the open air. I pictured it showing in the dirt in-field where the Mt. Cameroon Race begins and end, at Molyko Stadium.

Tonight, it happens, and the Buea Post Weekender edition publicizes it well. Moki, Dan, and I say a few words on stage, then Volcanic Sprint plays. As many as two or three thousand people attend, stretching back beyond the track to packed stadium bleachers. I sit crossed-legged in the dirt and watch them watching, blue light flickering on childrens’ expectant faces. Buea’s children: watching their neighbors, their heros, dance upon the big screen.

Where Are They Now?

It’s Saturday, the day before the race. Call time is pre-dawn. It’s a familiar ride in the bed of the pickup up Buea’s main drag, which traverses Mt. Cameroon’s southern slopes. The Queen of the Mountain is just as electric and personable as the day we left her in 2006, when Buea Town unveiled a statue in her honor. She’ll run the race for the final time this year, and hopes the Cameroon Athletic Federation will help her secure a job afterwards. She is, after all, 40 years old.

Max informs us he’s not running the race as a way to honor his father, John Ekema who died last month. The tall, dried raffia palms rattle as Max pulls them off his father’s grave, only 15 feet behind Max’s shack. A fading plastic wreath reads “RIP John Ekema,” beside a torn pink plastic sandal (“my father’s favorite shoes”). The site’s volcanic stones are strewn with an offering of feathers and spent red shotgun shells. The late Ekema, besides being the first winner of the Mt Cameroon Race and a subsistence farmer, was an avid hunter.

Volcanic Sprint Press Screening in Douala

Every time I’m in Douala, I’m amazed it functions, what with the cramped streets overflowing with kinetic traffic, pedestrians, and commerce claiming every patch of level earth. Since my last visit two years ago, the Chinese moto manufacturer Sanili has taken over. Maybe it’s the jet lag, but that 1990 song by Sinead O’Conner, Black Boys on Mopeds, cycles repeatedly in my head.

The press screening for Volcanic Sprint takes place at the French Cultural Center. I meet Jean-Marie Mollo Olinga, one of Cameroon’s most notable film critics, who wrote about our film’s premier in Yaounde yesterday. Following the film, Unit Producer Moki Charles joins Dan and I on stage. Soon, the journalists are debating among themselves about the merits and subtleties of our film. . . Next stop, Buea.